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Orissa unlike many other parts
of India has the prized distinction of possessing an uninterrupted
series of temples illustrating the history of the well-defined
Kalinga (former name of Orissa) from its very inception to
decline, and the Sun Temple of Konark marks the highest point of
achievement.
Konark, the seat of World famous Sun Temple, located in the
District of Puri, forms one of the three points of the "Golden
Triangle of Tourism" in the State of Orissa, the other two being
Bhubaneswar, the city of Temples and Puri, the abode of Lord
Jagannath. This T emple chariot of the Sun God on the golden sands
of teh Bay of Bengal is a 13th Century architectural marvel.
To-day Konark is not merely a symbol of Orissa's great
architectural craftsmanship, it is also the most sought after
centre of attraction for tourists all over the World. It's serene
atmosphere coupled with a quiet but majestic sea-shore is today
regarded as an ideal place for holidaying by domestic as well as
foreign tourists.
LOCATION
Konark is situated at comfortable distance from the famous
religious and tourist centre of Puri (35 K.M.) and the capital
city of Bhubaneswar (65 K.M.)
THE NAME
"Konarka" , the place bears a name composed of two World elements
: Kona meaning corner and ARKA meaning the Sun.
The Sun god worshipped in Ark Kshetra is also called Konark. In
'Brahma Purana' the Sun God in Ark-kshetra has been described as
Konaditya. So it is evident that the place where the Kona aditya
(or Kona-arka, the Sun god) was worshipped was also popularly
called Konark
It is described in Purusottam Mahatmya that Lord Vishnu after
killing the demon Gayasur, to commemorate the glory of his
victory, placed his Sankha (cronch) in Puri, Chakra (disc) in
Bhubaneswar, Gada (mace) in Jajapur and Padma (lotus) in Konark
and they were later known as Sankha Kshetra, Chakra Kshetra, Gada
Kshetra and Padma Kshetra respectively.
This corner on the east sea coast houses the ruins of a temple,
exquisitely built to resemble a gigantic chariot with impeccably
carved wheels , columns and panels. It stands as a mute reminder
of the times when Orissan architecture has reached its pinnacle.
THE BLACK PAGODA
The main Temple was called by European sailors "The Black Pagoda"
as it formed an important landmark for them in their coastal
voyage. Contrasting to this , the white washed Temple of Lord
Jagannath at Puri was known as the white pagoda.
The Sun Temple of Konark marks the highest point of achievement of
Kalinga architecture depicting the grac e , the joy and the rhythm
of life all it's wondrous variety. There is an endless wealth of
decoration from minute patterns in bas-relief done with a
jeweler's precision to boldly modelled free standing sculptures of
exceptionally large size. Under the crackling wheels of past
events , the Sun Temple has lost its main sanctuary but the
remaining structure and the ruins arouns testify till today the
boundless creative energy of Orissan artistes and their impressive
contribution to the treasury of Indian Art and building technique.
Standing majestically on the sandy coast of the Bay of Bengal, the
porch, in its solitary grandeur is an eloquent testimony of a
gracious and mysterious past. Dedicated to Sun God, this temple
was constructed by Raja Narasinghs Deva-I of the Ganga Dynasty was
dazzling supreme in the political firmament of India.
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FAME OF THE SUN TEMPLE
That the fame of the this temple as a wonderful monument has
spread far beyond the limits of Orissa in the sixteen century is
amply borne out not only by the great Vaishnava Saint Chaitanya's
(AD-1486-1533) visit to the place but also by the following pithy
description which appeared in the A'in-i-Akbari of Abu'l-Fazl, the
famous chronicler of the court of Akbar (AD-1556-1605)
Near Jagannath is a temple dedicated to the Sun. Its cost was
defrayed by twelve years revenue of the province. Even those whose
judgment is critical and who are difficult to please stand
astonished at its sight.
ARCHITECTURAL GLORY OF THE SUN TEMPLE
The Sun Temple built in the thirteenth century was conceived as a
gi gantic chariot of Sun God, with twelve pairs of exquisitely
ornamented wheels pulled by seven pairs of horses. Majestic in
conception, this Temple is indeed one of the most sublime
monuments of India, famous as much for its imposing dimensions and
faultless proportions as for the harmonious integration of of
architectural grandeur with plastic allegiance. It is admittedly
the best in Orissa. Its fine traceries and scroll work , the
beautiful and natural cut of animal and human figures, all give it
a superiority over other temples. The chief quality is its design
and architectural details. The Sun temple belongs to the Kalinga
School of Indian Temples with characteristic curvilinear towers
mounted by Cupolas. In shape, the Temple did not make any major
departure from other sikhara temples of Orissa. The main sanctum
which (229 ft. high) was constructed alongwith the audience hall
(128 ft. high) having elaborate external projections. The main
sanctum which enshrined the presiding deity has fallen off. The
Audience Hall survives in its entirely but of the other two viz
the Dancing Hall (nata Mandir) and the Dining Hall (Bhoga-Mandap),
only small portions have survived the vagaries of time. The Temple
compound measures 857 ft. by 540 ft.
The alignment of the Sun Temple is on the east-west direction. The
Temple is located in natural surroundings, abounding with
casuarina plantations and other types of trees, which grow on
sandy soil. The environment is by and large unspoiled. Gentle
undulating topography around the Sun Temple lends some variation
to the landscape. |